陷阱

评分:6.3 播放:19万 更新:2026-05-09
主演: 윤여창/

剧情简介

Her irresistible fatal love, his love is stuck in the trap.   Ah-yeon looks sensual in those short tennis outfits she always wears. When Min-seok, a successful prosecutor encounters Ah-yeon in a parking lot of a tennis court, he happens to provide her with help unexpectedly. He later gets contacted by Ah-yeon frequently. Although Min-seok, the married man tries to refuse her exce..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan

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影片档案

片名
陷阱
主演
윤여창/
分类
恐怖
评分
1.6
播放量
49万
类型
纪录
更新日期
2026-05-09
地区分类
音乐

演员阵容

布莱恩·德·帕尔玛
娄烨
林岭东
基斯基耶夫斯基
陈木胜
费德里科·费里尼
特瑞吉列姆
刘镇伟

影评专栏

桌上的饭菜有问题吧?还是房内点的安神的香?

— 넬리캉

[:a嘿嘿:](画渣来报道了)新画的雨总,画的不是很好看请见谅嘿嘿不喜勿喷哦~[:a无奈:]

— CAN

三皇子这器量,注定做不成队友,就算做成了日后也容易因为一点事怨恨你[:a狗头:]

— 桜贺めい

宁焱左下角跟做贼似的,鬼鬼祟祟跑路

— 藤峰式

你們說寧焱偷偷下樓梯會不會被木蘭發現[:a笑哭:]

— Dite

这对CP我磕疯了

— みつこ

其实差不多,数学确实是天赋占比极大的一科[:a狗头:]

— さはる

有点忘记剧情了,他是不是有过目不忘的能力来着?之前是谁能过目不忘?

— 日野晶

观众热评

はらだ

对啊,感觉太突兀了,并没有一体的美感。反正看了这么多coser,真没觉得有顺眼的[:a无奈:]

전호윤

谁懂啊错无可奈何但又莫名的遵循瑞瑞的话而且瑞瑞更生动了!

キクリ

算了,老子的脑袋数学从来倒数第一,就不凑热闹了,跳过

豆腐渣

#·兔兔#我的爱,终于天天一打开动漫就看到了~

本庄りえ

大大画的真的好厉害[:qqdbbq1|心动:][:qqdbbq1|心动:]

富贵鼻

你們說寧焱偷偷下樓梯會不會被木蘭發現[:a笑哭:]

すめし

这一张好像有一个真实案例,在河北石家庄那一块儿好像是(好像啊)就是有一个拿活人做立柱的

すめし

坚持住,就剩你了,看的上百个漫画全烂尾了

カシオ

朝廷发赈灾粮了

龙华哲

帅帅的雨总啊啊啊啊啊啊啊啊,又是被帅晕的一天

めがね

又多活了一周[:a狗头:][:a狗头:][:a狗头:]

にやま

感觉钱队娶了雨总回家什么秘密都不会是秘密了

本周票房排行

院线排片信息

正在热映
陷阱
影片类型
恐怖
同类热播
纪录
观众评分
5.0
累计播放
50万
更新时间
2026-05-09
类型推荐
音乐
题材分类
灾难
风格标签
科幻

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  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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