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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
写在大地上的诗
兰岚,查岭该片是国家广播电视总局2024年度电视剧引导扶持专项资金和“深入生活、扎根人民”倾斜项目，通过诗人田地发现田间、走进历史、重写戎冠秀的故事，用诗歌去表达还原当时戎冠秀支援前线的历史，通过网络让观众熟知悉那段拥军，爱军的模范事迹。
少女椿
中村里砂,风间俊介,森野美咲,武瑠,佐伯大地,深水元基,中谷彰宏,鸟居美雪,鸟肌实故事发生在繁华的大都市东京，十四岁的少女阿绿（中村里砂 饰）失去了唯一的亲人，孤苦无依的她在误打误撞之中走进了名为“赤猫座”的巡回马戏团中，就此拉开了悲惨人生的序幕。无处可去的阿绿在马戏团中受尽了众人的凌辱和折磨，沦为奴隶和佣人，日子过得苦不堪言，每一天都是地狱般的写照 。 就在阿绿快要绝望之时，侏儒魔术师出现在了马戏团中，出现在了她的眼前。侏儒魔术师的出现让快要倒闭的马戏团重现生机，他亦成为了马戏团中最重要的成员。与此同时，阿绿在魔术师的身上找到了久违的温暖和感情，两人决定结婚，双双逃离这充满了痛苦的魔窟。
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观影评论
阿鲁太：四万对三千，不管怎么说，优势在我
都是空白，你好意思收我的钱
雷神在此！[:s2saiji|遥遥领先:]
我来科普一下
世界分崩离析，错雨形影不离。！！
老苟是真能忍，比前面的反派有城府的多，也审时度势，这才是前期最大反派该有的位格
找到几个雨总的表情包
木兰还是女主吗哈哈哈哈好久没出场了
怎么还没灭了他啊又要下周[:a生气:]
我的豪车呢？！怎么到我这只剩尾气了！！！！！我都没反应过来！！