悦楽交差点

4.9 播放:64万 更新:2026-05-10

主演: 城定秀夫/

剧情简介

  繁華街で通行量調査をしているフリーターの春生(麻木貴仁艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。行き交う女性を目で追い、機械的にカウントする彼が呟く。「千人目は俺の嫁、千人目は俺の嫁…」その時、春生の目の前を若い女が通り過ぎ、手元のカウンターが千を打つ…。5年後。ぼろアパートの壁一面に貼られた女の写真が春生に微笑んでいた。それは、かつて繁華街で見た女・川島真琴(古川いおり)の盗撮写真だった。春生は、あの日から粛々とストーキング行為を続け、今では彼女の行動記録ノートも10冊を超えていた。その夜も双眼鏡で真琴と夫・幹也(田中靖教)のセックスを覗きながら、春生は思う…。『彼女の本当の相手はこの俺だ。いつしか神様が間違いに気づき、運命を変えてくれるだろう…』しかしそんなある日、春生は幹也とOL・麻衣(福咲れん)の浮気現場を目撃してしまう。そして神頼みを諦めた春生は、自らの手で運命を変えるべき動き...

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编辑精选

01

牙狼大河

出生于继承“黄金骑士GARO”称号的魔戒骑士家族的冴岛大河,继承了黄金铠甲,终日与魔兽霍拉战斗着。某天他接到指令,要求夺回被霍拉·蛇道夺走的魔导具“罗盘”。罗盘中封存着守护人类,掌管着人界的安宁的青龙、朱雀、玄武、白虎的四圣兽之魂。大河与侍奉圣兽祠堂的魔戒导师·吹奇一同挺身而出,誓要夺回罗盘......

02

北部丛林

  Allen Meneric is committed to a psychiatric institution for the criminally insane because of a brutal revenge murder. There he is forced to deal with the very ill and the dangerous until, as part of a socialization program, he is transferred to minimum security where he meets Mia, a beautiful bipolar female inmate. Ever haunted by his past, Allen seeks his redemption when sudden events demand that he protect Mia from the violence and chaos of the institution.

03

拍得不错

  由五個單元故事組成的GOOD TAKE,是香港電影新一代導演的創新作品,包括導演曾國祥《水泥》,講述警員9413(周柏豪)前往報案地點查案,最後只留下電話鈴聲卻不見其人,令人毛骨悚然;導演黃智亨的《囍宴》,一個小孩跟著跟爸爸(張兆輝飾)一起前赴媽媽新婚囍宴的故事,童真與成年人的無奈都盡在心頭;導演黃進的《Good Take》,透過甘草演員泰勒(盧海鵬飾)的生活是向資深電影從業員致敬的故事;導演楊龍澄的《不一定》,以型格對比色彩重構暴力血腥鏡頭;導演黃精甫的《嚇鬼》,Charlene(蔡卓妍飾)挑戰鬼屋一夜遊,遇上中國殭屍、長髮貞子和辮子姑娘,過程又驚又笑!五個故事各自有著不同風格及不同戲味!

04

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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观影评论

碧依ぺき

错雨,你们懂?[:a狗头:][:a狗头:][:a滑稽:]

大竹とも

浪爷:神金,我一个赘婿吃软饭就OK了,谁要看你们脸色啊!恼得我烦了就通通鲨了[:a笑哭:]

정다금

不更新请把我的月票吐出来大胆到甚至不愿意打请假条敷衍

西本ろう

求求你了再更一话吧,我什么都会做的[:a可爱:][:a可爱:][:a可爱:]

天河蓝

这个局是做给咱们的吧?两个月不更

松平彻

這乞丐有點牛啊算命算到能摸胸[:a笑哭:]

えい吉

快把感叹号的对话框移走,我是正人君子我要欣赏艺术[:a威胁:]

이리나

等的好辛苦啊,出来我抢先买[:a催更:][:a催更:][:a催更:]

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