女摄影师的欲望

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

 影片讲述中国新疆北部边境的山谷村庄里，孤独的哈萨克族男孩与植物为伴，他在追寻逝去的时光中，逐渐隐入植物世界的梦幻寓言。

影片翻拍自阿根廷电影《膝下无子》，讲述了高中时期遇见初恋的男人无意间将家庭史变成秘密而展开的一系列风波浪漫喜剧故事。

　　来自法国的旅行者伊丽丝在韩国担任法语家庭教师赚取生活费。语言的隔阂让她和学生之问的交流充满错位感，东亚文化中不善于思考和表达内心情感的“痼疾"又与渴望交流与开放的心态交织在一起，触发了只有异国旅行者才能感受到的特殊孤独与惆怅。被誉为韩国作者电影第一人的导演洪常秀继《在异 国》《克莱尔的相机》之后与法国国宝级女演员伊莎贝尔·于佩尔再度合作，用极简主义的拍摄手法呈现细致入微的人际关系精妙互动，斩获2024年第74届柏林国际电影节评审团银熊奖。

 《准备好了没2》仍然由萨玛拉·维文主演，导演组合马特·贝蒂内利-奥尔平&泰勒·吉勒特回归。

康纳·马什与他的狗桑迪过着隐居生活，直到有一天他开始玩一款新的、尖端的电脑游戏——OBEX。当桑迪失踪后，现实与游戏之间的界限开始模糊，康纳不得不踏入OBEX这个奇异的世界，去把她带回家。