金发运动型小姐姐这是在看啥呢

 巴音布鲁克最后一站收官后，张驰（沈腾 饰）受邀作为车队主教练征战全新赛事“沐尘100拉力赛”，“野生车手”走上国际舞台！面对高手如云的全新赛道，孙宇强（尹正 饰）、记星（张本煜 饰）一如既往协同作战，林臻东（黄景瑜 饰）等实力车手应邀强势集结，一支凝聚了顶配速度与信念的车队就此成立！然而，张驰发现真正的挑战仿佛并非来自比赛本身，赛场之外暗流涌动，让他们飞驰之路充满变数……

　　著名电台女主播萧潇雅（辛芷蕾 饰）在结婚前七天，因亲眼目睹名作家未婚夫李明轩与前女友许嘉雯（何佩瑜 饰）偷情，萧萧雅忍受不了背叛出轨的伤痛而自杀，幸被抢救复生，男友李明轩却坠楼身亡……是自杀还是他杀还没有揭晓真相，李明轩的前女友许嘉雯却又死于非命，李明轩的弟弟李明炎（张 哲瀚 饰）一直对哥哥的死觉得离奇，经调查发现偷情背叛事件出自许嘉雯和薛威（于毅 饰）策划的，在真相还没有大白前，薛威也相离奇死亡……谁是幕后真凶？是阴阳两隔的恋人的疯狂复仇？是横刀夺爱者的杀人灭口？还是宿命在爱情开始的一刻早已注定？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　當活着比死更需勇氣，十二個少年來到荒廢醫院，進行本以為是12 比0 的投票，通過後便可集體自殺，卻發現房間多了一具屍體，必須找出兇手和企圖破壞契約的潛入者。劇情以新本格派推理展開，同時進行「十二怒漢」式針鋒相對。原來再厭世，內心極渴望別人聆聽自己故事。每一個都可疑，每一個都隨時被說服，結局示範最令人心悅誠服的反轉。《20 世紀少年》（2008-09）、《愛的成人式》（2015）導演堤幸彥巧妙觸碰少年自殺的禁忌，像補完計劃般置諸死地，在絕望深淵，一次擁抱可拯救一個靈魂。