美味人妻

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　一名医生因一连串令人震惊的凶恶案而入监服刑，他忠心的妻子打算模仿同样的杀人手法作案，借以证明他的清白。

　　安吉拉是27岁的普通女孩，生活平淡无奇。有天，她意外发现与自己亲近的人都死于非命。梵蒂冈教徒得知此事后，对安吉拉展开了一系列调查。可这次调查却引出了安吉拉背后古老的邪恶力量……

 动画《交响诗篇》的剧场版动画《交响诗篇 超进化》续作预计于11月10日正式上映，正式片名定为《ANEMONE/交响诗篇超进化》，宣传PV今日公开。故事以TV动画《交响诗篇》中最初的东京为舞台，故事主要围绕7年前丧父的安妮莫奈展开。