JVID【璃奈酱 】日系风情白虎神鲍

　　他（Method Man 饰）是一个沉默的男子，永远礼帽风衣，沉默地穿梭在这座道德沦丧、破败绝望的城市的大街小巷。死亡每天发生，司空见惯，不知天高地厚的年轻人们呼啸而过，挥霍生命。白天他是市殡仪馆的殡仪师，以娴熟专业且庄重的手法清理残破不堪的尸体，带死者走过最后一程；夜晚则端坐那间被暴怒吵闹的邻居所包围的小屋里，细心制作动物标本，为他们的主人找回最后的安慰。　　某天，一具女性尸体在他死水般的内心世界引起涟漪。尸体上纹有波提切利的名作《维纳斯诞生》，似曾相识的图案勾起了他对往事的回忆。城市的自毁仍在继续，他也无法永保平静……

　　小青年汤姆（伊恩·德·卡斯泰克 Iain De Caestecker 饰）致电有过一面之缘的女孩露西（爱丽丝·恩格勒特 Alice Englert 饰），邀请对方参加即将在爱尔兰举行的音乐节。汤姆处心积虑规划行程，比音乐节预定提前一天到达目的地。他约女孩去网上预订的基拉尼旅店留宿。笔直的公路无限延伸至远方，四周但见无垠旷野，阴冷荒凉，几乎看不到一个人影。汽车在无聊和枯燥中行驶，天色慢慢暗了下来，而他们却迷失方向，始终找不到目的地。随着暮色降临，恐慌在彼此心底升起，他们在迷宫一般的丛林里失去方向，曾经轻浮暧昧的笑容不在。　　在漆黑旷野，一名满脸是血的男子突然出现在汤姆和露西面前。原本设想中美好的约会，注定变成万劫不复的噩梦……

 OVA化もされた園田健一原作のコミック「ガンスミスキャツ」の元となったOVA。「ロードバスター」の名を持つ凄腕の運び屋であるビーン・バンデット。ある日、ビーンはグリムウッド家の令嬢であるチェルシーを誘拐した容疑をかけられ、警察から追われる身になってしまった！ 果たして、彼の運命は…？

距离人生重大考验只剩三天，尼诺却要先完成医生布置的两项关乎存亡的使命。这场穿越巴黎的救赎之旅，迫使他重新系紧与世界的羁绊，更要直面内心深渊。

　　A skilled magician recruits an unlikely team for a daring heist to acquire a valuable gem. As they navigate their intertwined histories and escalating stakes, they must master deception, confront vulnerabilities.

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.