空屋的嫂子

该片翻拍自2006年上映的同名日本电影，讲述罹患罕见疾病——XP色素性干皮症的女主因为皮肤不能接受阳光照射，否则将出现生命危险。从此白天与之无缘，只能终日躲在家中，唯一的乐趣也只是趁着夜晚踱到车站广场唱着自己喜爱的歌。在这一过程中，女主渐渐喜欢上时常路过车站的冲浪男孩的爱情故事。

　　百万富翁Diego Verastegui（Gustavo Alatriste 饰）在他自己的家里被杀害，保险箱里宝贵的公文包也被取出来了，当Diego Verastegui的保镖回到家时，他发现了三名犯罪嫌疑人：Carlos Verastegui（George Akram 饰），百万富翁的儿子；Anna Karina（Guillermo Londoño 饰），一个可爱的女孩；安德烈斯，一个放荡不羁的魔术师。三人各执一词，究竟他们谁才是杀害Diego Verastegui的凶手？

　　A family whose daughter is seemingly possessed; their prayers seem to make matters worse. What sin did they commit?

　　「为什么大家讨厌警察？」男孩询问母亲。身为警察的史黛芬妮，负责的却是警察暴力与失职案件调查。2018年，一名青年随亲友来到巴黎参与街头抗议，却因警方开枪，导致永久性脑部损伤。家人提出指控，警方却矢口否认，关键证据亦是不足。内外压力夹攻之下，史黛芬妮仍奋力调查，调阅摄像头比对、还原警员动线，越逼近真相之际，同僚的敌意也越发强烈⋯⋯

　　闯荡好莱坞失败的演员里根·皮尔斯为工作在去往路易斯安那州的一个小镇什里夫波特路上，被歹徒绑架至一个沼泽地附近的小屋，歹徒折磨并威胁他用推特账户发布并上传妥协博文，他改如何逃脱困境？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster