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　　一群青年肆无忌惮地违反了塔罗牌的规则，释放了牌中的可怕恶灵，他们一个接一个地面对命运的审判，使得最终陷入了一场与死亡的赛跑。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　丹妮原本和丈夫泰德正在翻修偏僻的乡间别墅，却在此地惨遭杀害，所有人都怀疑是当地精神病院的病人所为，因为泰德正是该院的一名医生。然而，案发后不久，嫌疑人就被发现死亡。一年后，丹妮的双胞胎盲妹达茜（Darcy），一个自称通灵者和诅咒物品收藏家的人，意外拜访了泰德和他的新女友雅娜。达茜深信她姐姐的谋杀案远比人们知道的要严重得多，因此她带来了她收藏的最危险的诅咒物品，以帮助她复仇。

 故事围绕匈牙利出生的犹太建筑师拉斯洛·托斯与妻子埃尔兹贝特展开。他们在二战后逃离欧洲，前往美国重启他们的事业，并见证了现代美国的诞生。然而他们的生活被一名神秘而富有的客户改变了。