室友的妻子

　　诸家老太有两个儿子梦龙和梦飞，以及一个养孙国荣。16年前，一伙以张振邦为首的歹徒为了报复诸老太在公安局工作的丈夫，欲把梦龙和梦飞活埋，国荣的父亲得知后，救出了兄弟俩，自己却被烧死，诸老太为了报恩，收养了国荣，并且对他十分疼爱。不想，16年后的今天，国荣却陷入了张的贩毒集团。梦龙出于对国荣的爱护，在知道国荣贩毒后，私下包庇他。在公安局工作的梦飞在缉拿国荣的过程中，国荣因拒捕被击毙，梦龙被梦飞带上了手铐。

A noir portrait of Italy in the Seventies.

　　电影一直与阳春白雪相关，似乎很少有人把它与下里巴人联系在一起。可河南某小镇某小村，却发生了一件事，让电影与下里巴人进行了一次对接。村里的电影放映员蔡有才（李易祥 饰）一直有一个梦想，那就是亲自拍一部电影。这不是闹着玩的，有才果真开始实践起了拍电影之梦。围绕着鬼子进村的主题，有才开始寻找演员，构造场景，可这些非专业出身的演员和资金的限制，让片场状况百出也笑话百出，经过各种磨难，有才还是咬牙坚持了下来。　　本片为真人真事改编，全程用河南话进行对白。真实情形为河南许昌县灵井镇兴元铺村的农民赵兰卿发动村民一起自编自导自演了一部名为《鬼子进村》的电影，开创了农民自己拍电影的先河。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster