妹之恋

　　佳宇打算去北京阻止父母离婚。被佳宇救助的邓凯帮他筹钱。父母回村办离婚，佳宇被邓凯假绑架，反被传销分子利用敲诈佳宇父母，父母报警，佳宇被救。佳宇在景区招商汇演时表演当年父亲失败的魔术，挽留父母。

　　故事发生在1956年的法国，一名牧师惨遭谋杀，某种邪恶正在散播，艾琳修女（泰莎·法米加 Taissa Farmiga 饰）将再次与鬼修女瓦拉克（邦妮·阿伦斯 Bonnie Aarons 饰）展开正面对决。

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster