主妇女佣

　　朱英秀（金明敏 饰）是一名律师，和妻子敏晶（朴珠美 饰）过着幸福的生活，两人共同养育着他们爱情的结晶慧琳（金素贤 饰），朱英秀相信正是因为有了主的庇护，他才能够过上如此美满的人生。然而，一场意外的发生彻底击碎了朱英秀的信念。　　绑匪绑架了年幼的慧琳，两人就此下落不明。起初，朱英秀和妻子都坚信慧琳一定能够平安归来，然而随着时间的推移，这份坚定逐渐粉碎为了尘埃。朱秀英甚至因为此时而对自己坚持一生的信仰产生了怀疑。一晃眼八年过去，一通意外的来电在这个支离破碎的家庭之内再度掀起波澜，慧琳还活着，而朱英秀唯一的信仰，就是找到她。

A story of redemption in a world gone dark.

　　本片是美国50年代一部优秀的科幻片。导演Jack Arnold运用特效，让一只小小的蜘蛛在银屏上变成一只体形庞大的塔兰图拉毒蛛。影片中的塔兰图拉毒蛛是一只十分可怕的怪兽，它四处破坏，但始终免不了灭亡的命运。　　经典科幻片，强烈推荐！

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster