德意志之恋

◆ 评分:4.6 播放:77万 更新:2026-05-11

剧情简介

禁断之恋题材影片;原文机译内容:1983年5月,一个人转49,并与他17岁的儿子,行程,村里在巴登,他尚余40年。他想找出发生了什么事的话,关于婚外情的真相他的母亲有战争的年轻的波兰囚犯,当局如何来学习它,恋人被逮捕,和善后事宜。而他的儿子采取宝丽来照片,他追溯了他的童年和采访那些谁应该记住的步骤。这个故事被公开在倒叙,重点恋人(宝琳娜和斯坦尼斯劳斯),在嫉妒和纵容的邻居,和迈耶,当地指挥官的SS谁想要找到出路的必然后果。   

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演员阵容主要角色

格里菲斯
叶伟信
冯小刚
王一持
布莱恩·德·帕尔玛
陆小雅

绝世武功招式谱

◆ 独孤九剑

无招胜有招,以意驭剑,破尽天下武学

◆ 降龙十八掌

至刚至猛,掌力所及,摧枯拉朽

◆ 凌波微步

身法飘逸,闪避间如履薄冰又若御风

◆ 六脉神剑

以气为剑,六道剑气纵横无敌

人物关系图谱

格里菲斯 — 叶伟信
师徒关系
格里菲斯 — 冯小刚
情侣关系
王一持 — 布莱恩·德·帕尔玛
宿敌对立
冯小刚 — 陆小雅
亦敌亦友

观众点评

西田东

兄弟我已经帮你到这了,行不行还得看你自己

小椋ムク

P了个结婚证

ころめ

画的不是很好,没学过画画,不要喷呀!!!

푸죠킹

超好看的,虽然是Al的。他的精神病应该是有利于破案,但对他自己却不友好。

本庄りえ

202元主要是想要头像框大家都是多少钱集齐的

叶芝真己

国君要爽飞了,国君得把主角当孙子一样宠。主角在国内将再也无人能对抗,智力、地位、战力全都无敌

大槻ミゥ

[:a可爱:]终于可以了!现在血脉部队有了!下一回合要震惊全国了

おおや

跟这种杀千刀的小人,能动刀就别bb,浪费口舌。

御景椿

明明知道讲不完怎么就没忍住看了打自己两耳光

洪班长

这个应该就是那个蓝毛帅哥的攻吧(这年头,反派都这么帅[:a称赞:])

同类古装佳作

(情歌)

被突然的任命令从东京派遣到海外工作的研究员·想太(森崎温 饰),在曼谷与学生时代一直暗恋的凯(向井康二 饰)再会。看到在泰国作为摄影师兼音乐人活跃的凯的身影,内心产生了动摇。另一方面,小凯也对学生时代唱过的“未完成的歌”感到惊讶。将两人联系在一起的歌声再次在心中响起……

巨兽格果

  50年代,美国拍了《原子怪兽》,日本拍了《哥斯拉》,50年代末期英国又趁热打铁拍了《海底巨兽》。1961年又和米高梅合拍了《巨兽格果》。  《巨兽格果》不像其他怪兽电影那样,怪兽开头都是神龙见首不见尾,最后城市大战时露个全身。本片中怪兽破坏的镜头完完全全的展现在观众面前,拆了伦敦塔桥,还推到了大本钟。最后全凭两双大脚一路踩爆房屋,砖瓦四溅,相当过瘾。本片讲述了人类抓到了一只可爱的小怪兽——格果,然后把它关进马戏团里,哪知道后来把怪兽老娘惹来了…

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

最后的吸血鬼

 该片是押井守参与制作的一部动画电影。获2002年斯图加特国际动画电影节最佳长篇奖,获2001年日本文化厅文化厅MEDIA艺术祭动画大赏。1966年秋天,越南战争期间,在日本国内的美国空军横田基地内,不时可见F4幻影战斗机频繁起降,空气中充斥着一股杀戮的气氛;就在此时,基地附近的市区连续发生了离奇的命案。 地下铁,银座线,正驶著通往浅草的最后一班列车,一名少女出现在空荡的车厢内,她拥有令大人感到刺眼的眼神,紧闭着双存欲诉说她内心的真正意念,她的名字叫小夜(SAYA);她是“组织”为了打倒潜伏于人类社会里的吸血鬼“翼手”,因而派遣至人类社会的救世主。 穿着水手服的小夜,手持日本武士刀作为武器,潜入了基地内的美国学校。一柄冷血无情的武士刀,是她消除邪魔、保护人类的武器。而她身体里这一半的人性,可能就是她打败敌人的秘诀……

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原著与改编

原著作品 同名武侠小说
原著作者 经典武侠名家
改编类型 影视改编
忠实度 高度还原原著精髓

经典台词

「侠之大者,为国为民。」
— 格里菲斯 饰演角色
「世间万物,唯情最苦。」
— 冯小刚 饰演角色
「刀光剑影终有尽,江湖恩怨何时了。」
— 王一持 饰演角色
「他强由他强,清风拂山冈。」
— 叶伟信 饰演角色

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