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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大话神探
广告界名模戴李察原为名噪一时之大盗“一棚牙”，后因厌倦江湖，与旧拍档阿蕊互相协议金盆洗手，而阿蕊亦转而从良，下嫁刑事侦缉警官吴超人。察有一世侄志伟，欲得盗窃的真传衣钵，但为所拒，无奈志伟却不罢休。另一方面，指挥官胡处长安排超人及当红干探冲锋车，以一颗几可乱真之宝石，由冲锋车以归侨身份，摆设酒会，实行布下香饵钓金鳌。当冲锋车公开展示宝石之际，志伟果然心痒难忍，在混乱中，将宝石盗取。冲锋车夺回宝石...
柏林危机
德国男星肯·杜肯自导自演的惊悚片处女作，精神创伤的精英战士在前往柏林探望女儿的途中搭载了一名面善的拦车者，却没料到后者正酝酿着一起柏林恐怖袭击。伴随多次视角转换和对善恶问题的拷问，在逐步揭开极端的意识形态深渊的同时，两名主角最终将故事引向意外结局。
消失的证据
妹妹石晗离奇“自杀”，疑点重重。姐姐石岚毅然踏上追凶之路，她孤身对抗恶势力，艰难收集证据，最终在绝境中完成复仇，将施暴者一一绳之以法。影片不仅是一场酣畅淋漓的罪案追凶，更深刻揭露了人性之暗与正义的重量。
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观影评论
这个漫画，只要一直更我就会一直看，太阴险太喜欢了
突然想到了一句歌词:来是come，去是go，点头yes，摇头no，要打招呼喊hello，哈喽哈喽哈哈喽。
密码的，用AI就算了，什么崩掉的图都放出来，脸都不要了
雨总真的又帅又聪明呀
一周两周太难熬了，有没有原著大哥给我讲下怎么赢的，结果咋样
居然是限时不限量的可惜我现在才看
抽了32根棒棒糖……不会蛀牙吧٩🌚۶
雨总的第一种猜想有可能是周秘书刷虹膜把吴东极带下来的，如果是这样的话那那个周秘书的嫌疑就很大了