上校夫人的年轻侄女们
剧情简介
艾旦影视 MadameYanneisstillaveryyoungwidowofanofficer.ShetakescareofherprettyniecesFlorentineandJuliet,whoarecurrentlylivingouttheirlesbianobsessionsandarecurrentlymoreengagedwitheachotherthanturningtheirheadsaroundthelustymaleworld.Asastallion,FarmhandErikwasonlytoohappytojumpatthetwonieces.InspectorSimonhaslongbeenkeepi...
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演员阵容主要角色
绝世武功招式谱
无招胜有招，以意驭剑，破尽天下武学
至刚至猛，掌力所及，摧枯拉朽
身法飘逸，闪避间如履薄冰又若御风
以气为剑，六道剑气纵横无敌
人物关系图谱
观众点评
美味美味，太美味了，赶紧看吧。
洞房花烛夜错雨真的好幸福啊抱图吱就好了
怎么还没灭了他啊又要下周[:a生气:]
我去乌鸦坐飞机，不过老兰你还真不挑食啊，我已经看出来你不简单了[:a笑哭:]
黑龙登基[:a滑稽:]
这章全是404！我花钱看404？我恨404
那是非常非常非常非常非常非常的好看
嗷嗷嗷嗷嗷嗷！！公主抱我好爱！！！[:a称赞:][:a称赞:]
放心，不会让你失望的，到时候有你哭的[:a笑哭:]
太绝望了对象病了兄弟死了仇人没抓着要是我已经没有生的希望了
同类古装佳作
呖咕呖咕新年财
德华（刘德华饰）喜欢打牌，以打牌为生的他出名好牌技好牌品，与他相恋多年的咏琪（梁咏琪饰）因为牌品差，始终没能与德华结为连理，令她顿足。德华的弟弟天乐（古天乐饰）知道哥哥要以打牌为生养活患有痴呆症的母亲和正在读书的自己，决定跟青云（刘青云饰）打牌比试，谁知连连落败。 一次牌局中，咏琪不甘被德华以牌品的问题多次推搪婚约，便咀咒他从此“一世摸烂牌”，跟着同样拜师不成的青云离开了。 咀咒真的灵验了，使德华家道中落，但一向乐观的他深信自己的“好朋友”会回来的。在弟弟公司举行的麻将大赛中一路稳打稳扎，与青云再次对垒，最后能否获胜呢？
亲陌公园
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玩具熊的五夜后宫：紫色的泪
当10个年轻人去探索一家废弃的比萨店时，他们很快就知道，他们将不得不为自己的生命而战，同时试图揭开比萨店令人不安的历史。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster