克洛艾

　　A dog gains superpowers after his is abducted by aliens. Together they battle an evil cat threatening humanity while the dog becomes a famous superhero.                        

　　当10个年轻人去探索一家废弃的比萨店时，他们很快就知道，他们将不得不为自己的生命而战，同时试图揭开比萨店令人不安的历史。

　　暑假来临，大学新生刘易斯·托马斯（保罗·沃克尔 Paul Walker 饰）决定穿州过省，前往新泽西去看望他自高中时代便喜欢的女孩维娜·威尔柯斯（Leelee Sobieski 饰）。为了打发旅途上的无聊时光，他将正因酒后驾车蹲局子的老哥富勒（史蒂夫·赞恩 Steve Zahn 饰）保释出来，兄弟俩一路通行。　　旅途中，富勒买了一部车载对讲机，与其他的司机扯皮聊天。期间他们搭上一个绰号“锈钉”的卡车司机，富勒突发奇想，怂恿弟弟假扮女人用对讲机勾引锈钉。对他们来说，这似乎是旅途中一个无伤大雅、转眼就忘的玩笑。没想到他们却惹上了这个难缠和恐怖的家伙。在接下来的时间里，锈钉成为刘易斯、富勒和维娜难以摆脱的噩梦……

　　Scot想要从歹徒手中救出妹妹，却遭人陷害，被控谋杀，被处以死刑。一位疯狂科学家把Scot的大脑植入大猩猩体内，Scot以大猩猩的身躯复活，开始他的复仇...

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　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.